RESUME
Solo and two-person shows
2022
Material Persuasions; Launch Gallery, Los Angeles
2021
Incremental; Fourth Wall Gallery, Oakland
2018
Woman | Woman curated by jill moniz; Louis Stern Fine Arts Los Angeles
2017
Origins: Raw and refined; Monterey Peninsula College Gallery
Left Coast Annual Awards Exhibition; Sanchez Art Center, Pacifica
2016
And the Refinement of their Decline; Don Soker Contemporary Art, San Francisco
2013
Maintenance and Operations, Don Soker Contemporary Art, San Francisco
2012
Designed for general use, Stripe Design Group, Santa Cruz
2010
Designed for general use, Don Soker Contemporary Art, San Francisco
Designed for general use, Carl Cherry Center, Carmel
2008
Residuum, Don Soker Contemporary Art, San Francisco
Hub, Invisible Venue, Oakland
2004
Envisioning White, Museum of Art & History, Santa Cruz
Figment of the Machination, Art Building, Santa Clara University
Periphery of Experience, Smith Gallery, University of California, Santa Cruz
2001
Shaping Memory Shaping Us, Creative Arts Center Gallery, Sunnyvale
group shows
2025
515 Bendix, Los Angeles; Spark
a poco art collective, Culver City, CA; L/Womb
Torrance Art Museum, Torrance, CA; Nomad
515 Bendix, Los Angeles, Impromptu
Studio Channel Islands Art Center, Ventura, CA; Transmission
Annenberg Beach House, Santa Monica, CA; Camera Obscura Artists in Residence
2024
Winter Fundraiser, Durden & Ray, Los Angeles, CA
Torrance Art Museum, Torrance, CA; Nomad
Art Object Gallery, San José, CA; For the Love of Art: Celebrating the Ralph & Sheila Pickett Collection
Art Share LA, Los Angeles; Ellsworth Residency Artists Exhibition
m.k. contemporary, Santa Cruz, CA; Selections: Rydell Visual Arts Fellows
2023
Winter Fundraiser, Durden & Ray, Los Angeles, CA
Forage | Gather, Fellows of Contemporary Art, Los Angeles, CA
(En)Gendered Agency, Delta College Art Gallery, Stockton, CA
Connective Threads curated by Jo Lauria and Carrie Burckle, Palos Verdes Art Center, Palos Verdes, CA
Glimpse, Radius Gallery, Santa Cruz, CA
Resilience(d) curated by Sara V. Cole, Works San José; San José, CA
2022
Sister City II Change, Praxis Artspace, Bowden, Australia
did you make this? how long did it take? Jack Fischer Gallery, San Francisco, CA
2021
Weave, Cut, Bundle and Layer, curated by Lisa McCutcheon; Root Division, San Francisco
Trickster & Transformation, juried by Carol Shaw-Sutton; Helms Design Center, Los Angeles
Reflection; Korean Cultural Center/LaunchLA
2020
The Ripple Effect; Monterey Museum of Art
Inside Out: Seeing through Clothing; San Jose Museum of Quilts and Textiles
2019
The New Domestics, curated by Gail Enns; Hillier School of Art and Architecture, Newark NJ
Antigone, curated by jill moniz; Quotidian, Los Angeles
Hot Love—Cold Facts, curated by Jack Fischer; Berkeley Art Center
Beyond the Warp and Weft: The Enduring Legacy of the Bauhaus, curated by Hannah Regev; Ruth’s Table, San Francisco
Claiming Needles, curated by Peggy Schoenegge and Darja Zub, Peer to Space online exhibition,
2018
Roberts Projects, Culver City, CA; Holding Up 1/2 the Sky curated by jill moniz
The Art Vault, Mildura, Victoria, Australia; Sister City Prints
West Gallery Thebarton, Adelaide, Australia; Sister City Prints
Conrad Wilde Gallery, Tuscon, AZ; High Fiber
2017
Artik Art and Architecture; Annual Exhibition
Craft Contemporary, Los Angeles; Material as Metaphor
Conrad Wilde Gallery, Tuscon, AZ; Elemental
Gallery Route One, Pt. Reyes, CA; Lucid Art Residency Exhibition
2016
Minnesota St. Project, San Francisco; Reclaimed: Elevating the Art of Reuse
El Camino College Art Gallery, Torrance; Thread curated by Susanna Meiers
Sanchez Art Center, Pacifica; Left Coast Annual juried by Lucía Sanromán, YBCA
Tucson Art Museum; String Theory curated by Julie Sasse
Conrad Wilde Gallery, Tuscon, AZ; High Fiber
Kala Art Gallery, Berkeley; Artists’ Annual
2015
Shelter, Conrad Wilde Gallery, Tucson
Handmade: State of the Arts, curated by Emily Zaiden, The Maloof Foundation and Craft in America Center, Los Angeles
[Im]materiel, curated by Kevin B. Chen, Headlands Center for the Arts
2014
Extra Ordinary, Conrad Wilde Gallery, Tuscon
Day Re-dreamed, curated by Mayumi Hamanaka, Berkeley Central Arts Passage
Soft Muscle, curated by Adrienne Heloise, Root Division, San Francisco
2013
Installations, Don Soker Contemporary Art, San Francisco
Milestones: Textiles of Transition, San Jose Museum of Quilts and Textiles
2012
Beauty, curated by Glen Helfland and Katrina Traywick, Berkeley Art Center
Rydell Visual Arts Fellows, Sanchez Center, Pacifica
Rydell Visual Arts Fellows, Museum of Art & History, Santa Cruz
Outfitters: The Contemporary Art of Clothing, Bedford Gallery, Walnut Creek
2011
Chain Letter, curated by Christian Cummings and Doug Harvey, Shoshana Wayne Gallery, Santa Monica
Yuma Art Symposium, Yuma, AZ
unCommon Threads, curated by Susanna Meiers, El Camino College Art Gallery, Torrance
2010
Cielo/Sky curated by Shelby Graham, Sala de exposiciones del Parque García Sanabria, Santa Cruz de Tenerife, Canary Islands and Porter Faculty Gallery, UCSC, Santa Cruz
Depth of Surface curated by Victor De La Rosa, San Francisco State University
By a thread, curated by Cathy Kimball, San Jose Institute of Contemporary Art
Book as Medium, Sesnon Gallery, University of California, Santa Cruz
Corporealities: Bodies in Question, Conrad Wilde Gallery, Tucson, AZ
2009
In Stitches, curated by Beth Rudin DeWoody; Leila Taghinia-Milani Heller Gallery, New York, NY
High-rise Project; Don Soker Contemporary Art, San Francisco
2008
The Veil: Visible and Invisible Spaces; curated by Jennifer Heath, traveling through 2012
Mapping Correspondence: Mail Art in the 21st Century, The Center for Book Arts, New York
Ying: Inspired by the Art and History of China, Museum of Art & History, Santa Cruz
2007
Cutting Edge Books, California State University East Bay, Hayward
Close Calls, Headlands Center for the Arts, Marin
2006
American Seven, Works Gallery, San Jose
X-Libris: SFCB’s 10th-Anniversary Exhibition, San Francisco Center for the Book
By the Hand, Bedford Gallery, Walnut Creek
Don Soker Contemporary Art, San Francisco
Hair Raising, San Jose Institute for Contemporary Art
2005
Collage/Assemblage, Art Object Gallery, San Jose
Material Moments, Gualala Art Center, CA
2002
Fabricated, IDEA, Austin TX
Relevant Structure, San Francisco Center for the Book
Exemplary Contemporary (awarded First Prize) Eloise Pickard Smith Gallery, University of California, Santa Cruz
2001
Personae, Angel’s Gate Cultural Center, San Pedro
This is not a Book, San Jose Institute for Contemporary Art
selected bibliography
2022
Art and Cake LA, May 21, “Material Persuasions at Launch LA,” by Lorraine Heitzman
2019
2018
Art and Cake LA, November 30, “Two Important Exhibitions Shine at Roberts Projects” by Genie Davis
Monterey County Weekly, October 4, “Women’s Work” by Walter Ryce
SquareCylinder, September 24, “New Domestics at Monterey Museum of Art,” by David Roth
2017
Art Forum, August 17, Material as Metaphor listed under Critics’ Picks by Grant Johnson
Los Angeles Times, August 18, “Fake fur, rubber, afghans: Craft museum unfurls some playful surprises in
Material as Metaphor” by Leah Ollman
Riot Material, July 31, Material as Metaphor, Nancy Kay Turner
Fabrik, June 19, Material as Metaphor review by Peter Frank
2013
San Francisco Chronicle, March 24, “Victoria May at Soker” by Kenneth Baker
2011
“Exhaustively Effortless,” Rydell Fellowship catalog essay by Susan O’Malley
2009
KQED’s Spark, May 13, featured on public television weekly arts show
2008
San Francisco Chronicle, September 28, “Art worth getting a bead on” by Kenneth Baker
Artshift San Jose, August 22, review of solo show by Hanna Hannah
2006
By Hand: The Use of Craft in Contemporary Art edited by Joseph Magliaro and Shu Hung, Princeton Architectural Press
Metro Silicon Valley, February 1-7, “Threads of Memory” by Michael S. Gant
San Jose Mercury News, February 5, “The Artists’ Trail along South First” by Jack Fisher
San Francisco Chronicle, January 15, “Tressed Out; Art off the top of our heads” by Anastasia Hendrix
2005
Fiberarts Magazine, Jan/Feb issue, “Hats: the Pinnacle of Wearable Art,”
by Sunita Patterson
2001
San Jose Mercury News, April 8; “Books that are not Books,” by Jack Fisher
Artweek, March; ‘This is not a Book,’ by Berin Golonu
Metro Santa Cruz, March 28; “Fictitious Identities” by Christina Waters
Honors/misc
2024
Ellsworth Residency, Art Share LA, Los Angeles
2023
Camera Obscura Art Lab Residency in Santa Monica
2016
Selected for Lucid Art Residency
Djerassi Residency alternate
2015
Silicon Valley Creates Artist Laureate
Kala Artist in Residence
2013
Nominated for Eureka Fellowship
Nominated for Pro Arts’ 2 x 2 Solos
2012
Jentel Artist Residency, Banner WY
2010
Recipient of Rydell Fellowship
2007
Nominated for Eureka Fellowship
2006
Collaborated with Annie Sprinkle and Beth Stephens on costumes for their Yellow Wedding
2005
Nominated for SECA Award
Nominated for Rydell Fellowship
Invitational Print Edition for Works, San Jose
2004
Nominated for Eureka Fellowship
Education
MFA, San Jose State University
BA in Design, cum laude, University of California, Los Angeles
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